{"id":539,"date":"2016-05-14T21:24:15","date_gmt":"2016-05-14T21:24:15","guid":{"rendered":"http:\/\/baalbek.online\/?page_id=539"},"modified":"2026-03-25T11:15:51","modified_gmt":"2026-03-25T11:15:51","slug":"baalbek-lineup","status":"publish","type":"page","link":"https:\/\/baalbek.online\/?page_id=539","title":{"rendered":"BAALBEK Musik und Lineup"},"content":{"rendered":"

BAALBEK Musik<\/h3>\n
\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div>
\n
\n\t

\u00a0 \u00a0 \u00a0 \u00a0 \u201eZeit - ich hatte fast Dich schon im Griff.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Da gelang die Flucht Dir, als ich schlief...\u201c<\/p>\n

\u00a0<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \"Die Verwandlung des Thomas Albert Droom\" \u00a0 \u00a0BAALBEK 1980<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
\n
\n\t

Der auf den ersten Blick etwas sperrige Titel:<\/p>\n

\u00a0\u201cWir bedanken uns f\u00fcr die Einhaltung\u00a0<\/strong>der <\/strong><\/p>\n

Sicherheitsvorschriften\u201c <\/strong>entwickelt\u00a0sich zu<\/p>\n

einem pulsierenden Kaleidoskop\u00a0ineinander<\/p>\n

verschr\u00e4nkter rhythmischer Figuren\u00a0mit schr\u00e4g<\/p>\n

t\u00f6nenden Harmonien.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>

\n
\n\t

Das n\u00e4chste St\u00fcck greift in seinem Puls die\u00a0<\/p>\n

\"Ziehung der<\/strong> Lottozahlen\"\u00a0<\/strong>mit der biederen<\/p>\n

Karin Tietze-Ludwig in den achtziger Jahren auf.<\/p>\n

Es hei\u00dft auch so, und lebt von temperamentvollen<\/p>\n

Ryhthmuswechseln und \u00fcberraschenden Harmonien<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div>
\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
\n
\n\t

\u201eMonolith\u201c<\/strong> erinnert an Szenen aus Stanley<\/p>\n

Kubricks \u201eOdyssee im Weltraum 2001\u201c.<\/p>\n

Interessanterweise wurde gerade in Baalbek<\/p>\n

vor einigen Jahren der gr\u00f6\u00dfte Monolith der Welt gefunden.<\/p>\n<\/div>\n<\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div>
\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
\n
\n\t

\u201eDie Verwandlung des Thomas Albert Droom\u201c<\/strong><\/p>\n

erweist Franz Kafka die\u00a0Ehre. Thomas stellt an sich<\/p>\n

selber eine merkw\u00fcrdige Ver\u00e4nderung fest: sein<\/p>\n

Bewegungsspielraum wird immer enger,<\/p>\n

so, als w\u00fcrde er zu Stein werden.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>

\n
\n\t

Hermann Hesse\u2018s feines Gedicht<\/p>\n

\u201eAbends\u201c\u00a0<\/strong>stellt sich in einem<\/p>\n

durchsichtigen Klanggewebe mit<\/p>\n

besonderen\u00a0rhythmischen Akzenten\u00a0<\/p>\n

vor<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div><\/div><\/div>
\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div><\/div>
\n
\n\t

\"General\"<\/strong> wurde unmittelbar nach<\/p>\n

Bekanntwerden der Massaker in My Lai im<\/p>\n

Vietnamkrieg 1968 geschrieben, und war<\/p>\n

damals, und ist heute aktuell.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

BAALBEK - das sind...<\/h3>\n
\n\t

\"Baalbek<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div>
\n
\n\t

Annette Bosetti \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0- Studium Querfl\u00f6te, Reifepr\u00fcfung, u.a.<\/p>\n

flute \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Junges Sinfonieorchester Aachen<\/p>\n

\"flute<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div>
\n
\n\t

Ulrich Bosetti\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0- fr\u00fcher: Giant's und Criterion, \u00a0<\/p>\n

guitar\/vocals \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 WDR StudioProduktion<\/p>\n

\"CUSTOM \u00a0 \"Heinrich Deutschmann\u201c<\/p>\n

\u00a0<\/p>\n

\"LP<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div>
\n
\n\t

Peter Felden\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 - fr\u00fcher: u.a. \"Truss\", Studium Kontrabass,<\/p>\n

bass \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 Sinfonieorchester Rheinische Philharmonie<\/p>\n

\u00a0\u00a0\"fender\u00a0 Koblenz, 1. Solo-Bassist Hessisches<\/p>\n

\u00a0\u00a0\u00a0 Staatstheater Wiesbaden<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div>
\n
\n\t

Bernhard Hocks\u00a0\u00a0\u00a0\u00a0 \u00a0- fr\u00fcher: Necronomicon,<\/p>\n

guitar\/bass\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u201eRejoiSing\u201c, Chorprojekt Erkelenz<\/p>\n

\u00a0\"Les\u00a0 \u00a0 \u00a0 \u00a0Rock&Blues:\"Outburst\"<\/p>\n

\u00a0<\/p>\n

\"Rickenbacker<\/p>\n

\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div>
\n
\n\t

Stan M\u00fcssener\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0- verschiedene Rockgruppen, u.a. No Big Deal,<\/p>\n

drums\/perc \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Cool in the Pool, WDR Studioproduktion<\/p>\n

\"drums\u00a0\u00a0 \u00a0\u00a0 \"Heinrich Deutschmann\"<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

\n
\n\t\t\"\"\n\t<\/div>\n\n<\/div><\/div><\/div>
\n
\n\t

Michael Orlea\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 - klassischer Klavierunterricht, verschiedene<\/p>\n

Keyboards \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0B\u00fchnen - Produktionen ,\u00a0WDR Studioproduktion<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \"Heinrich Deutschmann\",\u00a0 AMG Big Band Viersen,<\/p>\n

\"yamaha-psr423\u00a0 Chorprojekte \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/p>\n

\u00a0<\/p>\n

\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u201eZeit – ich hatte fast Dich schon im Griff.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Da gelang die Flucht […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_fullwidth.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-539","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/baalbek.online\/index.php?rest_route=\/wp\/v2\/pages\/539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baalbek.online\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/baalbek.online\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/baalbek.online\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/baalbek.online\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=539"}],"version-history":[{"count":106,"href":"https:\/\/baalbek.online\/index.php?rest_route=\/wp\/v2\/pages\/539\/revisions"}],"predecessor-version":[{"id":3048,"href":"https:\/\/baalbek.online\/index.php?rest_route=\/wp\/v2\/pages\/539\/revisions\/3048"}],"wp:attachment":[{"href":"https:\/\/baalbek.online\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}